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Stained Glass Techniques:
Pinstripe Vellum

NOTE: Pinstripe Vellum is no longer available.
This same technique may be substituted with medium weight vellum.

Pinstripe Vellum: This paper is heaver than the regular vellum. It is less translucent because it is thicker. Usually vellum is colored from behind to obtain soft colors for stained glass, but this paper looks beautiful when colored from the front. Marker colors show up brilliantly, but the ink applies smoothly and consistently with fewer stroke marks. Chalk can also be used when a soft look is desired. When you color a design completely with chalk, the delicate pinstripe pattern in the vellum can be seen. When markers are used, the pinstripe doesn't show up as much. Heat embossing techniques of all types work well with Pinstripe Vellum. It does not buckle, and the colored powders stand out nicely. The weight and texture of this paper also makes it adaptable to brass stencil and dry embossing techniques.

E X A M P L E   O F   T E C H N I Q U E

On striped vellum, stamp the daisy with a black pigment stamp pad, then heat emboss with powder.(figure 1) Topiary powder was used in this example.

Use the Stamp Alignment Tool to stamp the daisy in the center of a green card. Stamp with a black pigment ink and heat emboss with topiary powder. Cut away the inner circle, leaving leaves for dimension. (figure 2)

On a green panel, trace the circle opening in the exact position as the card. Cut away the circle. This will be the liner for the inside of the card front. (figure 3)

Color the daisy image on the striped vellum on the same side as the embossing . Use markers and a LePlume blender pen. (figure 4) This design does not require over embossing, but it is an option. To over emboss the entire design, sponge clear embossing ink over the design. Sprinkle clear embossing powder over the entire design and heat emboss.

To assemble the card: Cut the vellum to close to the edge of the daisy image. Mount to the inside of the card front with double stick tape. Press liner into place. (figure 5)

Stained Glass: fig. 1
figure 1

Stained Glass: fig. 4
figure 4
Stained Glass: fig. 5
figure 5

Stained Glass: fig. 2
figure 2

Stained Glass: fig. 3
figure 3
 
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